Latest Podcast Episodes

I keep my mattress in my fortress but that’s personal preference.

This week Kiyan and Dylan are now in 0 A.N.H. (After New Hope). In the coming weeks [it’s unlikely that] they’ll discuss the effects of Star Wars on Doctor who. The serial this week is the first of season 15, The Horror of Fang Rock, written by Terrance Dicks and aired in September of 1977.

Doctor Who (c) The BBC
Any other references belong to their respective owners, no copyright infringement is intended by this podcast.
The Doctor Who title music was originally composed by Ron Grainer. The version used in this episode was arranged by Delia Derbyshire.

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No DWBRcast dessa semana, Freddy e Thais se juntam a Barbaro e Alice para analisar o 9o episodio da 9a temporada - Sleep No More e, pelo menos tentar, tirar alguma coisa de boa de mais essa obra prima de Mark Gatiss!
Dormiu bem noite passada? Ja tirou a remela do canto do olho? Entao da logo esse play!

The post DWBRcast 38 – Aaaah, Mark Gatiss! Nosso review de Sleep No More appeared first on Doctor Who Brasil.

We're throwing ourselves full-force into speculation about the remaining three episodes of Series 9! We attempt to answer some unsolved mysterious: what is the Hybrid? How will the Doctor's confession dial come into play? And why did Missy choose Clara in the first place? All this and much, much more in this week's Doctor Who discussion.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don’t bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx’s phrase “opiate of the masses” quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It’s the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It’s still in print. (Amazon US) (Amazon UK)

Richard also points out the story’s many visual references to Fritz Lang’s Metropolis (1927).

How long since we last referenced Susan Sontag’s 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle’s sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children’s programme Words and Pictures. Watch him here, he’s delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we’ll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don’t bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx’s phrase “opiate of the masses” quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It’s the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It’s still in print. (Amazon US) (Amazon UK)

Richard also points out the story’s many visual references to Fritz Lang’s Metropolis (1927).

How long since we last referenced Susan Sontag’s 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle’s sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children’s programme Words and Pictures. Watch him here, he’s delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we’ll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don’t bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx’s phrase “opiate of the masses” quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It’s the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It’s still in print. (Amazon US) (Amazon UK)

Richard also points out the story’s many visual references to Fritz Lang’s Metropolis (1927).

How long since we last referenced Susan Sontag’s 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle’s sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children’s programme Words and Pictures. Watch him here, he’s delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we’ll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don’t bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx’s phrase “opiate of the masses” quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It’s the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It’s still in print. (Amazon US) (Amazon UK)

Richard also points out the story’s many visual references to Fritz Lang’s Metropolis (1927).

How long since we last referenced Susan Sontag’s 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle’s sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children’s programme Words and Pictures. Watch him here, he’s delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we’ll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don’t bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx’s phrase “opiate of the masses” quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It’s the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It’s still in print. (Amazon US) (Amazon UK)

Richard also points out the story’s many visual references to Fritz Lang’s Metropolis (1927).

How long since we last referenced Susan Sontag’s 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle’s sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children’s programme Words and Pictures. Watch him here, he’s delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we’ll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don't bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx's phrase "opiate of the masses" quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It's the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It's still in print. (Amazon US) (Amazon UK)

Richard also points out the story's many visual references to Fritz Lang's Metropolis (1927).

How long since we last referenced Susan Sontag's 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle's sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children's programme Words and Pictures. Watch him here, he's delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @critiqaltheory, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We're also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we'll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don't bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx's phrase "opiate of the masses" quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It's the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It's still in print. (Amazon US) (Amazon UK)

Richard also points out the story's many visual references to Fritz Lang's Metropolis (1927).

How long since we last referenced Susan Sontag's 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle's sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children's programme Words and Pictures. Watch him here, he's delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @critiqaltheory, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We're also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we'll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don't bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx's phrase "opiate of the masses" quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It's the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It's still in print. (Amazon US) (Amazon UK)

Richard also points out the story's many visual references to Fritz Lang's Metropolis (1927).

How long since we last referenced Susan Sontag's 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle's sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children's programme Words and Pictures. Watch him here, he's delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We're also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we'll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

Mark Gatiss is back and WOW this one hits all the buttons on our fear generator. Nothing like a good, old fashioned fright fest as the weather turns cold and blustery. Sleep No More fits the bill, just don't watch it with the lights out.

WARNING: SPOILERS

Mark Gatiss is back and WOW this one hits all the buttons on our fear generator. Nothing like a good, old fashioned fright fest as the weather turns cold and blustery. Sleep No More fits the bill, just don't watch it with the lights out.

WARNING: SPOILERS

This week, we head off into the far future of the distant planet Pluto (yes, we know, shut up), to liberate humanity from the Company, in The Sun Makers. Hey Cordo, don’t bogart the pentocyleinicmethylhydrane, man.

Buy the story!

The Sun Makers was released on DVD in 2009. (Amazon US) (Amazon UK)

Notes and links

William Simons, who plays sub-Blakean rebel leader Mandrell in this story, is more famous for his role in ITV period police drama series Heartbeat, playing Alf Ventress.

The Company takes Marx’s phrase “opiate of the masses” quite literally, drugging its oppressed population to keep them compliant. The Federation will adopt a similar tactic in Season 4 of Blakes 7, using the drug Pylene 50.

Hooray! It’s the long-awaited return of German Expressionism.

Richard points out the similarities between this story and The Space Merchants, a 1952 novel by Frederik Pohl and Cyril M. Kornbluth. It’s still in print. (Amazon US) (Amazon UK)

Richard also points out the story’s many visual references to Fritz Lang’s Metropolis (1927).

How long since we last referenced Susan Sontag’s 1964 essay Notes on Camp? Far too long, if you ask me.

Henry Woolf, the Collector in this story, had already appeared in Eric Idle’s sketch comedy show Rutland Weekend Television. You can see him with Idle in this sketch, called Gibberish. He also appeared in BBC children’s programme Words and Pictures. Watch him here, he’s delightful.

After the credits, we chat briefly about the Big Finish Blakes 7 audio series, The Liberator Chronicles.

Follow us!

Brendan is on Twitter as @brandybongos, Nathan is @nathanbottomley, Todd is @toddbeilby, and Richard is @RichardLStone. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. And please consider rating or reviewing us on iTunes, or we’ll feed an index-linked two percent growth tax into your computers and blow the economy.

Bondfinger

The Bondfinger team are off to watch SPECTRE this afternoon, in preparation for our commentary track on it, expected some time in late 2017. In the meantime, you can enjoy our previous commentaries: Thunderball (1965), Goldfinger (1964), From Russia With Love (1963), and Dr. No (1962). You can keep up with the Bondfinger news on our website, as well as on Twitter and Facebook.

Mark Gatiss's contribution to Doctor Who this year is rather different, the story Sleep No More is told entirely through found footage which only adds to it's claustrophobic atmosphere. I myself enjoyed it, but as you'll hear it's splitting others opinions.

The show is now on Facebook please join the group for exclusive behind the scenes insights and of course also discuss and feedback on the show https://www.facebook.com/groups/187162411486307/

If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.

Mark Gatiss's contribution to Doctor Who this year is rather different, the story Sleep No More is told entirely through found footage which only adds to it's claustrophobic atmosphere. I myself enjoyed it, but as you'll hear it's splitting others opinions.

The show is now on Facebook please join the group for exclusive behind the scenes insights and of course also discuss and feedback on the show https://www.facebook.com/groups/187162411486307/

If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.

Mark Gatiss’s contribution to Doctor Who this year is rather different, the story Sleep No More is told entirely through found footage which only adds to it’s claustrophobic atmosphere. I myself enjoyed it, but as you’ll hear it’s splitting others opinions.

The show is now on Facebook please join the group for exclusive behind the scenes insights and of course also discuss and feedback on the show https://www.facebook.com/groups/187162411486307/

If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.

In Minisode 6: The Hundred Years’ Crabfest, the boys discuss the pros and cons of The Woman Who Lived by Catherine Tregenna. Topics include: historical inaccuracies, family friendly penis jokes, lion puns, the inevitable Lady Me spin-off, and more tenuous connections to Kill The Moon!

This week, Matt has been caught in a time bubble while punting on the Irwell. What does the future hold for Hayden, alone in the Whoseum with only Pampisford Aylesbury (Doc’s Zygon double) and a wonky Time Space Visualiser for company?

The surviving members of the Four Faces of Delusion nevertheless review the “Invasion of the Zygons” / “Inversion of the Zygons” two-parter.

Along the way, we discover how the “Robots of Death” is a trenchant allegory of people eating popcorn in cinemas, how Hayden in his youth used to fiddle the BBC’s ratings for Doctor Who and how the Brigadier is a more caring man in the TARGET novelisations than in the TV episodes.

Direct MP3 Download Link = DDPC045 – Sandmining Popcorn

Listen/download on iTunes

Audioboo

Stitcher.com

Find us on Facebook

We can also be found on the Doctor Who Podcast Alliance

Find Diddly Dum pics on Tumbler.

Visit our new Youtube page.

THE DIDDLY DUM WHOSEUM CAN BE VISITED HERE.

Email us at diddlydumpodcast@yahoo.co.uk

SHOWNOTES

(00:03:12) Steven Moffat’s “I’ve seen the business plan” interview with Variety.

(00:13:05) Peter Capaldi’s “scheduling pawn” interview.

(00:29:53) “Charley Says” was a series of short cartoon public information films for children, produced by the British government’s Central Office of Information and broadcast in the United Kingdom in the 1970s and 1980.

The Diddly Dum Podcast acknowledges the copyright of anyone we've pinched anything from.

This week, Matt has been caught in a time bubble while punting on the Irwell. What does the future hold for Hayden, alone in the Whoseum with only Pampisford Aylesbury (Doc’s Zygon double) and a wonky Time Space Visualiser for company?

The remaining members of the Four Faces of Delusion nevertheless review the “Invasion of the Zygons” / “Inversion of the Zygons” two-parter.

Along the way, we discover how the “Robots of Death” is a trenchant allegory of people eating popcorn in cinemas, how Hayden in his youth used to fiddle the BBC’s ratings for Doctor Who and how the Brigadier is a more caring man in the TARGET novelisations than in the TV episodes.

Direct MP3 Download Link = DDPC045 – Sandmining Popcorn

Listen/download on iTunes

Audioboo

Stitcher.com

Find us on Facebook

We can also be found on the Doctor Who Podcast Alliance

Find Diddly Dum pics on Tumbler.

Visit our new Youtube page.

THE DIDDLY DUM WHOSEUM CAN BE VISITED HERE.

Email us at diddlydumpodcast@yahoo.co.uk

SHOWNOTES

(00:03:12) Steven Moffat’s “I’ve seen the business plan” interview with Variety.

(00:13:05) Peter Capaldi’s “scheduling pawn” interview.

(00:29:53) “Charley Says” was a series of short cartoon public information films for children, produced by the British government’s Central Office of Information and broadcast in the United Kingdom in the 1970s and 1980.

The Diddly Dum Podcast acknowledges the copyright of anyone we've pinched anything from.

"Is this how time normally passes? Really slowly and in the right order?"

No, not a comment from one of our long-suffering listeners but one of the many amusing lines from Vincent and the Doctor, in which the Doctor tilts at wind, Amy is a typical Brit abroad (either shouting at or chatting up the locals) and Alan Van Gogh puts his paintings to a variety of (un)sanitary uses.

Our heroes dodge marauding locals and their bouncing bottoms, skewer a catering-sized invisible chicken and endure both bill stickers and Bill Nighy.

But is the episode high art or low-brow?

Listen to find out what card-carrying philistines Jim and Martin make of it.

"Is this how time normally passes? Really slowly and in the right order?"

No, not a comment from one of our long-suffering listeners but one of the many amusing lines from Vincent and the Doctor, in which the Doctor tilts at wind, Amy is a typical Brit abroad (either shouting at or chatting up the locals) and Alan Van Gogh puts his paintings to a variety of (un)sanitary uses.

Our heroes dodge marauding locals and their bouncing bottoms, skewer a catering-sized invisible chicken and endure both bill stickers and Bill Nighy.

But is the episode high art or low-brow?

Listen to find out what card-carrying philistines Jim and Martin make of it.

"Is this how time normally passes? Really slowly and in the right order?"

No, not a comment from one of our long-suffering listeners but one of the many amusing lines from Vincent and the Doctor, in which the Doctor tilts at wind, Amy is a typical Brit abroad (either shouting at or chatting up the locals) and Alan Van Gogh puts his paintings to a variety of (un)sanitary uses.

Our heroes dodge marauding locals and their bouncing bottoms, skewer a catering-sized invisible chicken and endure both bill stickers and Bill Nighy.

But is the episode high art or low-brow?

Listen to find out what card-carrying philistines Jim and Martin make of it.

Tom and Louis stand in a room in the Black Archive, their hands poised over buttons on opposing Osgood boxes. What will it be? Truth, or Consequences? Who is a human and who is a Zygon? All will (perhaps) be revealed!

Tom and Louis stand in a room in the Black Archive, their hands poised over buttons on opposing Osgood boxes. What will it be? Truth, or Consequences? Who is a human and who is a Zygon? All will (perhaps) be revealed!

Tom and Louis stand in a room in the Black Archive, their hands poised over buttons on opposing Osgood boxes. What will it be? Truth, or Consequences? Who is a human and who is a Zygon? All will (perhaps) be revealed!