Latest Podcast Episodes

Em Inferno, quarto e último arco da 7ª temporada da série clássica, o Doutor vai parar em um universo paralelo e encontra a RSF, versões alternativas de seus colegas da UNIT: o Líder de Brigada Lethbridge-Stewart, o Sub-Líder de Pelotão Benton, e a Líder de Seção Elizabeth Shaw. A trama envolve um projeto de perfuração da crosta da Terra, uma usina nuclear e um líquido verde esquisito que transforma as pessoas nos Primords. Um arcão desses, bicho!

Em Inferno, quarto e último arco da 7ª temporada da série clássica, o Doutor vai parar em um universo paralelo e encontra a RSF, versões alternativas de seus colegas da UNIT: o Líder de Brigada Lethbridge-Stewart, o Sub-Líder de Pelotão Benton, e a Líder de Seção Elizabeth Shaw. A trama envolve um projeto de perfuração da crosta da Terra, uma usina nuclear e um líquido verde esquisito que transforma as pessoas nos Primords. Um arcão desses, bicho!

It's the end of September and, as promised last episode, Rob and Dave have read the Target novelisation of Eric Saward's 1985 Doctor Who radio play, Slipback. 

In this episode they run through the novel, blow-by-blow, then have a discussion about it. Naturally, they also discuss the radio play too, for some handy comparison.

Before then, they discuss some interesting news from the past month, some short topics and, at the end of the show, talk about some non-Doctor Who content they've consumed of late. A couple of listener emails round out the episode.

Hope you enjoy the show! Contact us anytime, hello@theDWshow.net

It's the end of September and, as promised last episode, Rob and Dave have read the Target novelisation of Eric Saward's 1985 Doctor Who radio play, Slipback. 

In this episode they run through the novel, blow-by-blow, then have a discussion about it. Naturally, they also discuss the radio play too, for some handy comparison.

Before then, they discuss some interesting news from the past month, some short topics and, at the end of the show, talk about some non-Doctor Who content they've consumed of late. A couple of listener emails round out the episode.

Hope you enjoy the show! Contact us anytime, hello@theDWshow.net

It's the end of September and, as promised last episode, Rob and Dave have read the Target novelisation of Eric Saward's 1985 Doctor Who radio play, Slipback. 

In this episode they run through the novel, blow-by-blow, then have a discussion about it. Naturally, they also discuss the radio play too, for some handy comparison.

Before then, they discuss some interesting news from the past month, some short topics and, at the end of the show, talk about some non-Doctor Who content they've consumed of late. A couple of listener emails round out the episode.

Hope you enjoy the show! Contact us anytime, hello@theDWshow.net

It's the end of September and, as promised last episode, Rob and Dave have read the Target novelisation of Eric Saward's 1985 Doctor Who radio play, Slipback. 

In this episode they run through the novel, blow-by-blow, then have a discussion about it. Naturally, they also discuss the radio play too, for some handy comparison.

Before then, they discuss some interesting news from the past month, some short topics and, at the end of the show, talk about some non-Doctor Who content they've consumed of late. A couple of listener emails round out the episode.

Hope you enjoy the show! Contact us anytime, hello@theDWshow.net

Em Inferno, quarto e último arco da 7ª temporada da série clássica, o Doutor vai parar em um universo paralelo e encontra a RSF, versões alternativas de seus colegas da UNIT: o Líder de Brigada Lethbridge-Stewart, o Sub-Líder de Pelotão Benton, e a Líder de Seção Elizabeth Shaw. A trama envolve um projeto de perfuração da crosta da Terra, uma usina nuclear e um líquido verde esquisito que transforma as pessoas nos Primords. Um arcão desses, bicho!

The Diddly Dummers’ friendship is sorely tested as we take a good look at “The Horns of Nimon”.

MP3 Direct Download Link = DDPC132 – Horns and Heels

Listen/download on iTunes

(00:17:02) Andy (The Rev) can also be found showing his unique brand of music on the Facebook group “Captain Coronas Isolation Open Mic Group”.

(00:17:49) #CONtacthasbeenmade will be showing a selection of filmed panels from the Doctor Who Appreciation Society’s first four “Capitol” conventions on their DWASONLINE Youtube channel and Facebook and Instagram sites. These are being run in support of NHS Charities Together and Domestic Abuse Volunteer Support Services and we hope that you’ll be able to donate something while watching the videos.

(0025:20) The Doctor Who Appreciation Society Announces the Return of TARDIS Magazine. TARDIS was one of the earliest Doctor Who Fan magazines (fanzines) and was first published in 1975 by Andrew Johnson. In the summer of 1976 the newly formed ‘Doctor Who Appreciation Society’ took on the publication of the magazine. Over the next few years, TARDIS went from strength to strength. It started as hand duplicated title, soon acquiring ‘photo pages’ which were inserts produced by offset litho. Later on, TARDIS become professionally printed itself, and in 1979 it saw colour for the first time. TARDIS was always supplied as an addition to DWAS membership until it was absorbed into the Society’s newsletter ‘Celestial Toyroom’ in 1987. TARDIS subsequently ceased publication as CT itself moved away from its traditional newsletter format and became a magazine in its own right.

Between April 1997 and December 1998, the Society resurrected TARDIS as a quarterly publication alongside Celestial Toyroom but then retired the title again, with a brief return as a one-off special in 2003 celebrating the show’s 40th anniversary.

The world of Doctor Who fandom has changed beyond recognition since then, and nowadays there are very few printed fan magazines. Celestial Toyroom remains the staple of the DWAS’s own output giving air to wide range of views. Many writers have started with items in CT before moving on to more mainstream publications including ‘Doctor Who Magazine’. DWAS has recognised the changing landscape and CTs sister publication, Cosmic Masque is now published as a download at our website. ‘The Celestial Toyroom Annual’ is released principally as an eBook with a limited run print copy also available.

Whereas fandom is a very ‘virtual experience’ these days, we remain convinced that there is a solid, sustainable demand for printed magazines, produced by fans for fans. As such, the Doctor Who Appreciation Society is very pleased to announce the return of ‘TARDIS’.

Volume 16 of TARDIS will begin publication in the summer of 2020. Under the editorship of Robbie Dunlop, it will be an entirely commissioned features-based magazine, published three times per year as a vibrant A4 title. It will be available to all fans from DWAS’s company Space Rocket Ltd, with DWAS members given the opportunity to buy directly from the Society at a substantial discount. We will continue our tradition of supporting charities through our output with each edition raising funds for a worthy cause.

The price and ordering information will be announced soon with the first issue of the new volume following shortly afterwards. In the meantime, Celestial Toyroom continues on its monthly publications schedule, giving members the opportunity to express their views on all aspects of Doctor Who. A new edition of Cosmic Masque, our fiction and reviews title, will also be released for download in the summer and a new ‘Celestial Toyroom Annual’ for 2021 is in the planning stages now.

On the podcast, we will keep providing you with information about the relaunch by the Doctor Who Appreciation Society of their “TARDIS” magazine.

Some front covers of past issues of “TARDIS” can be found on our Tumblr page here and here.

(00:45:55) This audio clip is from the “Frasier” season 3 episode “Martin Does it His Way”.

(00:47:20) Major Bloodnok’s stomach boing.

(01:02:21) “How Many Nimons?” – We pinched this audio clip from the Youtube channel of KoloSigma1 but it deserves to be seen and heard in its entirety.

(01:32:53) “Ronnie Barker in the line up” – Hayden is here referring to the famous sketch about class from “The Frost Report”.

The Diddly Dum Podcast acknowledges the copyright of anyone we’ve pinched anything from.

This week, Dougray Scott, Jessica Raine and two scary skeleton creatures are all so unspeakably horny that all Nathan, Corey, Si and Pete can do is Hide.

Notes and links

Jessica Raine, who plays Emma in Hide will go on to play Doctor Who’s first producer Verity Lambert in An Adventure in Space and Time, a drama about the origins of Doctor Who which is released a few months after this episode. But more about that later, perhaps. (Spoilers!)

Sound Effects No. 13: Death & Horror was an album produced by the BBC Radiophonic Workshop in 1977 and used continuously in TV and stage productions ever since. Mary Whitehouse complained vociferously about its release, because of course she did.

Christopher Nolan’s Interstellar (2014) also features time-travelling astronauts with a ghostly influence on the past. It’s hard to imagine that it makes that much more sense than Hide though, isn’t it?

I considered writing about the racist lyrics of Cole Porter’s Let’s Do It, but after a second’s reflection, I’ve decided to just let you Google them for yourself. But really, don’t.

The Stone Tape (1972) was a made-for-TV movie written by Quatermass’s Nigel Kneale and featuring Jane Asher and Doctor Who’s very own Ian Cuthbertson. Like Hide, it features researchers spending the night in a house haunted by a spectral woman, but Neil Cross would like to make it very clear that for copyright purposes, it is in every way a legally distinct entity from Hide.

El Sandifer is particularly scathing in her assessment of Nigel Kneale in her essay on (among other things) ITV’s 1978 TV movie version of Quatermass.

And finally, Whatever Happened to Susan Foreman? was an episode of a comedy radio programme called Whatever Happened To…?, first broadcast on BBC Radio 4 in June 1994 — featuring Jane Asher (again) as Susan Foreman. It was released as a special feature on the DVD of The Dalek Invasion of Earth.

Actually, there is one more thing. The story from The Sarah Jane Adventures that we talk about in the tag is called Whatever Happened to Sarah Jane?. It’s amazing. Go and watch it immediately.

Follow us

Nathan is on Twitter as @nathanbottomley, Pete is @Prof_Quiteamess, and Si is @Si_Hart. Despite what he said on the podcast, Corey does have a Twitter account, at @CoreyMcCor. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we’ll embarrass you on your first day by inviting your great-great-great-great-great-granddaughter along.

And more

You can find Jodie into Terror, our flashcast on the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We’ll be releasing our final episode on The Power of the Doctor some time in October, we expect.

Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well.

We can also be heard on the Blakes 7 podcast Maximum Power, whose coverage of Series B will be starting soon, with a Very Special Episode That I Absolutely Can’t Tell You About.

And finally, there’s our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we went back or forward in time to the first series of Star Trek: Discovery and watched Vaulting Ambition.

It's the end of September and, as promised last episode, Rob and Dave have read the Target novelisation of Eric Saward's 1985 Doctor Who radio play, Slipback. 

In this episode they run through the novel, blow-by-blow, then have a discussion about it. Naturally, they also discuss the radio play too, for some handy comparison.

Before then, they discuss some interesting news from the past month, some short topics and, at the end of the show, talk about some non-Doctor Who content they've consumed of late. A couple of listener emails round out the episode.

Hope you enjoy the show! Contact us anytime, hello@theDWshow.net

This week, Dougray Scott, Jessica Raine and two scary skeleton creatures are all so unspeakably horny that all Nathan, Corey, Si and Pete can do is Hide.

Notes and links

Jessica Raine, who plays Emma in Hide will go on to play Doctor Who’s first producer Verity Lambert in An Adventure in Space and Time, a drama about the origins of Doctor Who which is released a few months after this episode. But more about that later, perhaps. (Spoilers!)

Sound Effects No. 13: Death & Horror was an album produced by the BBC Radiophonic Workshop in 1977 and used continuously in TV and stage productions ever since. Mary Whitehouse complained vociferously about its release, because of course she did.

Christopher Nolan’s Interstellar (2014) also features time-travelling astronauts with a ghostly influence on the past. It’s hard to imagine that it makes that much more sense than Hide though, isn’t it?

I considered writing about the racist lyrics of Cole Porter’s Let’s Do It, but after a second’s reflection, I’ve decided to just let you Google them for yourself. But really, don’t.

The Stone Tape (1972) was a made-for-TV movie written by Quatermass’s Nigel Kneale and featuring Jane Asher and Doctor Who’s very own Ian Cuthbertson. Like Hide, it features researchers spending the night in a house haunted by a spectral woman, but Neil Cross would like to make it very clear that for copyright purposes, it is in every way a legally distinct entity from Hide.

El Sandifer is particularly scathing in her assessment of Nigel Kneale in her essay on (among other things) ITV’s 1978 TV movie version of Quatermass.

And finally, Whatever Happened to Susan Foreman? was an episode of a comedy radio programme called Whatever Happened To…?, first broadcast on BBC Radio 4 in June 1994 — featuring Jane Asher (again) as Susan Foreman. It was released as a special feature on the DVD of The Dalek Invasion of Earth.

Actually, there is one more thing. The story from The Sarah Jane Adventures that we talk about in the tag is called Whatever Happened to Sarah Jane?. It’s amazing. Go and watch it immediately.

Follow us

Nathan is on Twitter as @nathanbottomley, Pete is @Prof_Quiteamess, and Si is @Si_Hart. Despite what he said on the podcast, Corey does have a Twitter account, at @CoreyMcCor. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we’ll embarrass you on your first day by inviting your great-great-great-great-great-granddaughter along.

And more

You can find Jodie into Terror, our flashcast on the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We’ll be releasing our final episode on The Power of the Doctor some time in October, we expect.

Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well.

We can also be heard on the Blakes 7 podcast Maximum Power, whose coverage of Series B will be starting soon, with a Very Special Episode That I Absolutely Can’t Tell You About.

And finally, there’s our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we went back or forward in time to the first series of Star Trek: Discovery and watched Vaulting Ambition.

This week, Dougray Scott, Jessica Raine and two scary skeleton creatures are all so unspeakably horny that all Nathan, Corey, Si and Pete can do is Hide.

Notes and links

Jessica Raine, who plays Emma in Hide will go on to play Doctor Who’s first producer Verity Lambert in An Adventure in Space and Time, a drama about the origins of Doctor Who which is released a few months after this episode. But more about that later, perhaps. (Spoilers!)

Sound Effects No. 13: Death & Horror was an album produced by the BBC Radiophonic Workshop in 1977 and used continuously in TV and stage productions ever since. Mary Whitehouse complained vociferously about its release, because of course she did.

Christopher Nolan’s Interstellar (2014) also features time-travelling astronauts with a ghostly influence on the past. It’s hard to imagine that it makes that much more sense than Hide though, isn’t it?

I considered writing about the racist lyrics of Cole Porter’s Let’s Do It, but after a second’s reflection, I’ve decided to just let you Google them for yourself. But really, don’t.

The Stone Tape (1972) was a made-for-TV movie written by Quatermass’s Nigel Kneale and featuring Jane Asher and Doctor Who’s very own Ian Cuthbertson. Like Hide, it features researchers spending the night in a house haunted by a spectral woman, but Neil Cross would like to make it very clear that for copyright purposes, it is in every way a legally distinct entity from Hide.

El Sandifer is particularly scathing in her assessment of Nigel Kneale in her essay on (among other things) ITV’s 1978 TV movie version of Quatermass.

And finally, Whatever Happened to Susan Foreman? was an episode of a comedy radio programme called Whatever Happened To…?, first broadcast on BBC Radio 4 in June 1994 — featuring Jane Asher (again) as Susan Foreman. It was released as a special feature on the DVD of The Dalek Invasion of Earth.

Actually, there is one more thing. The story from The Sarah Jane Adventures that we talk about in the tag is called Whatever Happened to Sarah Jane?. It’s amazing. Go and watch it immediately.

Follow us

Nathan is on Twitter as @nathanbottomley, Pete is @Prof_Quiteamess, and Si is @Si_Hart. Despite what he said on the podcast, Corey does have a Twitter account, at @CoreyMcCor. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we’ll embarrass you on your first day by inviting your great-great-great-great-great-granddaughter along.

And more

You can find Jodie into Terror, our flashcast on the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We’ll be releasing our final episode on The Power of the Doctor some time in October, we expect.

Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well.

We can also be heard on the Blakes 7 podcast Maximum Power, whose coverage of Series B will be starting soon, with a Very Special Episode That I Absolutely Can’t Tell You About.

And finally, there’s our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we went back or forward in time to the first series of Star Trek: Discovery and watched Vaulting Ambition.

It's the end of September and, as promised last episode, Rob and Dave have read the Target novelisation of Eric Saward's 1985 Doctor Who radio play, Slipback. 

In this episode they run through the novel, blow-by-blow, then have a discussion about it. Naturally, they also discuss the radio play too, for some handy comparison.

Before then, they discuss some interesting news from the past month, some short topics and, at the end of the show, talk about some non-Doctor Who content they've consumed of late. A couple of listener emails round out the episode.

Hope you enjoy the show! Contact us anytime, hello@theDWshow.net

This week, Dougray Scott, Jessica Raine and two scary skeleton creatures are all so unspeakably horny that all Nathan, Corey, Si and Pete can do is Hide.

Notes and links

Jessica Raine, who plays Emma in Hide will go on to play Doctor Who’s first producer Verity Lambert in An Adventure in Space and Time, a drama about the origins of Doctor Who which is released a few months after this episode. But more about that later, perhaps. (Spoilers!)

Sound Effects No. 13: Death & Horror was an album produced by the BBC Radiophonic Workshop in 1977 and used continuously in TV and stage productions ever since. Mary Whitehouse complained vociferously about its release, because of course she did.

Christopher Nolan’s Interstellar (2014) also features time-travelling astronauts with a ghostly influence on the past. It’s hard to imagine that it makes that much more sense than Hide though, isn’t it?

I considered writing about the racist lyrics of Cole Porter’s Let’s Do It, but after a second’s reflection, I’ve decided to just let you Google them for yourself. But really, don’t.

The Stone Tape (1972) was a made-for-TV movie written by Quatermass’s Nigel Kneale and featuring Jane Asher and Doctor Who’s very own Ian Cuthbertson. Like Hide, it features researchers spending the night in a house haunted by a spectral woman, but Neil Cross would like to make it very clear that for copyright purposes, it is in every way a legally distinct entity from Hide.

El Sandifer is particularly scathing in her assessment of Nigel Kneale in her essay on (among other things) ITV’s 1978 TV movie version of Quatermass.

And finally, Whatever Happened to Susan Foreman? was an episode of a comedy radio programme called Whatever Happened To…?, first broadcast on BBC Radio 4 in June 1994 — featuring Jane Asher (again) as Susan Foreman. It was released as a special feature on the DVD of The Dalek Invasion of Earth.

Actually, there is one more thing. The story from The Sarah Jane Adventures that we talk about in the tag is called Whatever Happened to Sarah Jane?. It’s amazing. Go and watch it immediately.

Follow us

Nathan is on Twitter as @nathanbottomley, Pete is @Prof_Quiteamess, and Si is @Si_Hart. Despite what he said on the podcast, Corey does have a Twitter account, at @CoreyMcCor. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we’ll embarrass you on your first day by inviting your great-great-great-great-great-granddaughter along.

And more

You can find Jodie into Terror, our flashcast on the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We’ll be releasing our final episode on The Power of the Doctor some time in October, we expect.

Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well.

We can also be heard on the Blakes 7 podcast Maximum Power, whose coverage of Series B will be starting soon, with a Very Special Episode That I Absolutely Can’t Tell You About.

And finally, there’s our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we went back or forward in time to the first series of Star Trek: Discovery and watched Vaulting Ambition.

This week, Dougray Scott, Jessica Raine and two scary skeleton creatures are all so unspeakably horny that all Nathan, Corey, Si and Pete can do is Hide.

Notes and links

Jessica Raine, who plays Emma in Hide will go on to play Doctor Who’s first producer Verity Lambert in An Adventure in Space and Time, a drama about the origins of Doctor Who which is released a few months after this episode. But more about that later, perhaps. (Spoilers!)

Sound Effects No. 13: Death & Horror was an album produced by the BBC Radiophonic Workshop in 1977 and used continuously in TV and stage productions ever since. Mary Whitehouse complained vociferously about its release, because of course she did.

Christopher Nolan’s Interstellar (2014) also features time-travelling astronauts with a ghostly influence on the past. It’s hard to imagine that it makes that much more sense than Hide though, isn’t it?

I considered writing about the racist lyrics of Cole Porter’s Let’s Do It, but after a second’s reflection, I’ve decided to just let you Google them for yourself. But really, don’t.

The Stone Tape (1972) was a made-for-TV movie written by Quatermass’s Nigel Kneale and featuring Jane Asher and Doctor Who’s very own Ian Cuthbertson. Like Hide, it features researchers spending the night in a house haunted by a spectral woman, but Neil Cross would like to make it very clear that for copyright purposes, it is in every way a legally distinct entity from Hide.

El Sandifer is particularly scathing in her assessment of Nigel Kneale in her essay on (among other things) ITV’s 1978 TV movie version of Quatermass.

And finally, Whatever Happened to Susan Foreman? was an episode of a comedy radio programme called Whatever Happened To…?, first broadcast on BBC Radio 4 in June 1994 — featuring Jane Asher (again) as Susan Foreman. It was released as a special feature on the DVD of The Dalek Invasion of Earth.

Actually, there is one more thing. The story from The Sarah Jane Adventures that we talk about in the tag is called Whatever Happened to Sarah Jane?. It’s amazing. Go and watch it immediately.

Follow us

Nathan is on Twitter as @nathanbottomley, Pete is @Prof_Quiteamess, and Si is @Si_Hart. Despite what he said on the podcast, Corey does have a Twitter account, at @CoreyMcCor. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we’ll embarrass you on your first day by inviting your great-great-great-great-great-granddaughter along.

And more

You can find Jodie into Terror, our flashcast on the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We’ll be releasing our final episode on The Power of the Doctor some time in October, we expect.

Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well.

We can also be heard on the Blakes 7 podcast Maximum Power, whose coverage of Series B will be starting soon, with a Very Special Episode That I Absolutely Can’t Tell You About.

And finally, there’s our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we went back or forward in time to the first series of Star Trek: Discovery and watched Vaulting Ambition.

This week, Dougray Scott, Jessica Raine and two scary skeleton creatures are all so unspeakably horny that all Nathan, Corey, Si and Pete can do is Hide.

Notes and links

Jessica Raine, who plays Emma in Hide will go on to play Doctor Who’s first producer Verity Lambert in An Adventure in Space and Time, a drama about the origins of Doctor Who which is released a few months after this episode. But more about that later, perhaps. (Spoilers!)

Sound Effects No. 13: Death & Horror was an album produced by the BBC Radiophonic Workshop in 1977 and used continuously in TV and stage productions ever since. Mary Whitehouse complained vociferously about its release, because of course she did.

Christopher Nolan’s Interstellar (2014) also features time-travelling astronauts with a ghostly influence on the past. It’s hard to imagine that it makes that much more sense than Hide though, isn’t it?

I considered writing about the racist lyrics of Cole Porter’s Let’s Do It, but after a second’s reflection, I’ve decided to just let you Google them for yourself. But really, don’t.

The Stone Tape (1972) was a made-for-TV movie written by Quatermass’s Nigel Kneale and featuring Jane Asher and Doctor Who’s very own Ian Cuthbertson. Like Hide, it features researchers spending the night in a house haunted by a spectral woman, but Neil Cross would like to make it very clear that for copyright purposes, it is in every way a legally distinct entity from Hide.

El Sandifer is particularly scathing in her assessment of Nigel Kneale in her essay on (among other things) ITV’s 1978 TV movie version of Quatermass.

And finally, Whatever Happened to Susan Foreman? was an episode of a comedy radio programme called Whatever Happened To…?, first broadcast on BBC Radio 4 in June 1994 — featuring Jane Asher (again) as Susan Foreman. It was released as a special feature on the DVD of The Dalek Invasion of Earth.

Actually, there is one more thing. The story from The Sarah Jane Adventures that we talk about in the tag is called Whatever Happened to Sarah Jane?. It’s amazing. Go and watch it immediately.

Follow us

Nathan is on Twitter as @nathanbottomley, Pete is @Prof_Quiteamess, and Si is @Si_Hart. Despite what he said on the podcast, Corey does have a Twitter account, at @CoreyMcCor. The Flight Through Entirety theme was arranged by Cameron Lam. You can follow the podcast on Twitter at @FTEpodcast.

We’re also on Facebook, and you can check out our website at flightthroughentirety.com. Please consider rating or reviewing us on Apple Podcasts, or we’ll embarrass you on your first day by inviting your great-great-great-great-great-granddaughter along.

And more

You can find Jodie into Terror, our flashcast on the Whittaker Era of Doctor Who, at jodieintoterror.com, at @JodieIntoTerror on Twitter, on Apple Podcasts, and wherever podcasts can be found. We’ll be releasing our final episode on The Power of the Doctor some time in October, we expect.

Our James Bond commentary podcast is called Bondfinger, and you can find that at bondfinger.com, at @bondfingercast on Twitter, on Apple Podcasts, and everywhere else as well.

We can also be heard on the Blakes 7 podcast Maximum Power, whose coverage of Series B will be starting soon, with a Very Special Episode That I Absolutely Can’t Tell You About.

And finally, there’s our Star Trek commentary podcast, Untitled Star Trek Project, featuring Nathan and friend-of-the-podcast Joe Ford. This week, we went back or forward in time to the first series of Star Trek: Discovery and watched Vaulting Ambition.

This week my classic series re-watch resumes with Doctor Who: State of Decay as the Doctor, Romana and Adric encounter vampires!

You may wish to contribute to the show’s running costs, it’s Patreon is here https://www.patreon.com/tdrury

The show is also on Facebook please join the group for exclusive behind the scenes insights and of course also discuss and feedback on the show https://www.facebook.com/groups/187162411486307/

If you want to send me comments or feedback you can email them to tdrury2003@yahoo.co.uk or contact me on twitter where I'm @tdrury or send me a friend request and your comments to facebook where I'm Tim Drury and look like this http://www.flickr.com/photos/tdrury/3711029536/in/set-72157621161239599/ in case you were wondering.

Will Ross and Vic servive Terminus? Will the survive the Lazurs touch or the endless scenes inside airducts? Please listen and here what is worse the Lazar's touch or the script. All these things plus the good and bad  in this serial and some thoughts on where this story came from. Beware the Garm

Will Ross and Vic servive Terminus? Will the survive the Lazurs touch or the endless scenes inside airducts? Please listen and here what is worse the Lazar's touch or the script. All these things plus the good and bad  in this serial and some thoughts on where this story came from. Beware the Garm

Will Ross and Vic servive Terminus? Will the survive the Lazurs touch or the endless scenes inside airducts? Please listen and here what is worse the Lazar's touch or the script. All these things plus the good and bad  in this serial and some thoughts on where this story came from. Beware the Garm

Will Ross and Vic servive Terminus? Will the survive the Lazurs touch or the endless scenes inside airducts? Please listen and here what is worse the Lazar's touch or the script. All these things plus the good and bad  in this serial and some thoughts on where this story came from. Beware the Garm

Will Ross and Vic servive Terminus? Will the survive the Lazurs touch or the endless scenes inside airducts? Please listen and here what is worse the Lazar's touch or the script. All these things plus the good and bad  in this serial and some thoughts on where this story came from. Beware the Garm

Will Ross and Vic servive Terminus? Will the survive the Lazurs touch or the endless scenes inside airducts? Please listen and here what is worse the Lazar's touch or the script. All these things plus the good and bad  in this serial and some thoughts on where this story came from. Beware the Garm

This week my classic series re-watch resumes with Doctor Who: State of Decay as the Doctor, Romana and Adric encounter vampires!

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Thanks to Giles, who introduced me to Jeremy Bentham, a very familiar name for Doctor Who fans, particularly of my generation.

Jeremy and I chat about the early days of fandom, his part in the formation of the Doctor Who Appreciation Society, his work as a writer on Doctor Who Weekly and Doctor Who Monthly and his book Doctor Who - The Early Years. We also discuss his involvement in social events, such as conventions, the First Thursday Fitzroy Tavern evenings where Giles introduced us, and the launch party fan events he organised for the New Series.

And I couldn't resist the opportunity for a brief detour into the world of Missing Episodes.

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The opening music is Three Guitars Mood 2 and, yes, that is Richard playing the ukulele and kazoo on possibly the worst ever version of the Doctor Who theme tune at the end.